Senior Fellow Higher Education Academy
PhD “Towards an Aesthetics of Theatre Technology” UoG 2011
BA (hons) English Literature and Drama UEA 2001
First Year Tutor BA Theatre and Drama
Forthcoming 2018 Critical Approaches to TV and Film Set design. London: Focal Press.
2018 Blood effects in Grand-Guignol and Horror Performance: making the right kind of splash. Horror Studies 9.1.
2017 From Page to Stage Adapting Vermillion Sands. Foundation: The International Review of Science Fiction 46.3
2017 ‘Visibility brings with it responsibility’ Using a Pragmatic Performance Approach to Explore a Political Philosophy of Technology. Performance Philosophy 3.1
2014 ‘Wireless zombies! A re-creation of Golden Age radio drama for a contemporary audience’ Studies in Theatre and Performance. with Ben Challis, Rob Dean, Richard Hand, Rob Smith and Mary Traynor.
2014 ‘“Essentially another man’s woman: Information and Gender in adaptations of John le Carre’s Tinker Tailor Soldier Spy.’ Adaptation. OUP
2013 ‘“The Yellow Sound” an unstageable composition. Technology, modernism and spaces that should-not-be.’ Body Space Technology 11.2
2012 ‘“Open your eyes / Shut your eyes”. Staging Kandinsky’s ‘The Yellow Sound’ at Tate Modern’ Performance Research 17.5 “On Duration”
2011 ‘The Corsican Trap: Its mechanism’ Theatre Notebook vol 64. Society for Theatre Research
Main research interests include: Television and film set design theory and criticism; Philosophy of Technology, Performance technologies,Theatre History, Multimedia Performance, Theatre Architecture, transmedial narratives.
Other interests include: Theatre special effects and blood effects, science fiction writing and performance poetry.
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