Prof Kevin Mills known as Kevin
Before arriving at Glamorgan in 2007 I taught in a number of UK universities including Oxford Brookes, Portsmouth and Aberystwyth.
My research focuses on issues of language and representation with a particular interest in the cultural residues of biblical interpretation. I have explored these interests in relation to critical theory, Victorian literature and twentieth-century texts. My current research focuses on the development of a mode of writing that crosses the divide between the critical and the creative.
I teach first-year undergraduate module on Shakespeare and intertexts, second-year period-based modules on Nineteenth-Century and English Renaissance Literature, and a third-year module on Myth and Narrative.
I serve as Award Leader for BA (Hons) English Literature
Each year I supervise undergraduate and postgraduate dissertations, and have served as internal examiner to a number of MPhil candidates.
Along with Dr Alice Entwistle and Professor Philip Gross, I am a founder member of the Border/Lines project – a network of poets and critics that stages innovative events promoting exchange and exploring the relationship between critical and creative writing.
Stations of the Boar (poetry) Cinnamon Press, 2015
Libra (poetry) Cinnamon Press, 2012
The Prodigal Sign: A Parable of Criticism. Sussex Academic Press, 2009.
Fool (poetry) Cinnamon Press, 2009.
Approaching Apocalypse: Unveiling Revelation in Victorian Writing. Bucknell UP, 2007.
Justifying Language: Paul and Contemporary Literary Theory. Macmillan, 1995.
Recent Book Chapters and Articles
‘After Carson: Reading as Anacolouthon.’ With Alice Entwistle. Textual Practice (forthcoming)
‘Broken Hallelujah’, in John Schad and Oliver Tearle, eds., Crrritic! Sighs, Cries, Lies, Insults, Outbursts, Hoaxes, Disasters, Letters of Resignation, and Various Other Noises Off in These the First and Last Days of Literary Criticism (Sussex Academic Press, 2011).
‘The Theology of Marilyn Monroe’, in Richard Marggraf Turley, ed., The Writer in the Academy: Creative Interfrictions (Boydell and Brewer, 2011).
‘The Brownings’, in Rebecca Lemon et al, eds, The Blackwell Companion to the Bible in English Literature (Wiley-Blackwell, 2009).
‘Parables, A-Z’, Yearbook of English Studies 39 (2009).
Association of Welsh Writing in English
Centre for the Study of Media and Culture in Small Nations
George Ewart Evans Centre for Storytelling
Member of the European editorial board for the Journal of Literature and Theology (Oxford UP) 1998-2003.
External member of Humanities Board, Newbold College, 1999 – 2001.
External examiner for undergraduate English programme, Bolton University, 2006 – 2010
External examiner for undergraduate humanities programme Havering College, from 2007 – 2011
External member of Postgraduate Research Provision Panel for Kingston University (2014)
External Examiner for MA English programme at Aberystwyth University (from 2014)
I have recently peer reveiwed a number of books and proposals for Continuum, and articles for the following journals:
Literature Interpretation, Theory
Christianity and Literature
I served as consultant and contributer to the Christianity and Culture project run jointly by the University of York, St John’s Nottingham and English Heritage
My main research interests lie in the exploration of language and representation. My doctoral research and the book based on it (Justifying Language) extrapolated from the writings of Saint Paul a theory of interpretation formulated in dialogue with the work of modern theorists and philosophers including Mikhail Bakhtin, Jacques Derrida, Paul Ricoeur and Emmanuel Levinas.
In Approaching Apocalypse my focus shifted to Victorian literature in order to examine the persistence and transformation of an ancient literary mode during a period characterised by literary realism, utilitarian thought, demythologising of the bible, technological progress and Darwinism.
My third book contributed to the highly praised ‘Critical Inventions’ series published by Sussex Academic Press. The Prodigal Sign combines traditional modes of critical writing with dramatic monologues, parables, autobiography and less-easily defined modes of writing, in order to characterise the critical enterprise as a set of prodigal procedures and practices.
My poetry collection Stations of the Boar draws on the eleventh-century life of St Cadoc. I am currently planning further projects stemming from associated research: a theatrical production (Drowning Books) on which I’m collaborating with my brother Vic Mills, and a storytelling project in association with the George Ewart Evans Centre. With Dr Alice Entwistle I’m working on a critical-creative response to the work of the Belfast poet and novelist Ciaran Carson, which we hope to develop into a book-length study. A long term project called The Body in the Library is envisaged as trilogy of works combining fiction, poetry and scholarship.
Areas of Expertise
Welsh Writing in English
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